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The simplest compression tools simply strip JavaScript source of all comments and line feed characters, which helps reduce the size of the source code download The removal of comment lines and line feed characters can reduce the size of a JavaScript file by 30 percent or more, depending on the situation Note that the JavaScript source must correctly terminate all statements with a semicolon before it can be compressed with such tools Failure to do so will result in errors or unintended behavior Remember that although JavaScript statements should always end with a semicolon, most browsers are very forgiving and allow the trailing semicolon to be absent as long as there is a line break where the semicolon should be Many compressors eliminate line breaks, which can cause unintended results on JavaScript source files where the statements aren t properly terminated with a semicolon.

n this chapter, you ll set up all the tools you ll be using for building RichFaces applications. Then you will build an application that will cover a majority of RichFaces concepts. You will then build on the application to demonstrate other RichFaces features and concepts. After finishing this chapter, you should feel pretty comfortable using RichFaces on your own.

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So let s look at the ingredients of this effect: The element (<div id="box">) is the target of the effect. The starting and ending points are pixel coordinates (0, 0 to 50, 50). The incrementing is done by Element#setStyle. This method works, but not as well as it could. It s far too dependent on the speed of the computer it runs on, and it s not guaranteed to move at a constant pace. Our call to Function#delay guarantees that our function will be run at least 10ms later, but if the JavaScript engine is busy with something else, we could be waiting for quite a bit longer. We re guaranteed to get 50 frames of animation, but the element might not move at a constant speed.

Fortunately, script.aculo.us manages all these annoying details for you. It creates a base class for running effects, and then defines scads and scads of specific effects that inherit from that base class. The effects themselves vary wildly, but they all have several things in common: They all act on an element. They all involve transforming that element s style from a starting point to an ending point over a specified amount of time. No matter how slow the computer or how overwhelmed the JS engine, script.aculo.us effects will always execute in the amount of time specified. They all accept callbacks that let us run our own functions at certain milestones in the animation. These callbacks are very similar to the Ajax callbacks covered in 4. The previous exercise was meant to give you an idea of how effects work under the hood. script.aculo.us defines a base class that solves all the problems we encountered a boilerplate for any sort of browser-based effect. It then defines subclasses that do specific things: one animates opacity, another animates position, and so on. These are called core effects. Finally, it defines some functions that build on these core effects by running two or more in parallel. These are called combination effects.

JavaScript does not have a compiler to catch these sorts of issues, so instead, you should use a JavaScript verifier that ensures that all lines end with semicolons and that all statement blocks use curly braces One fine JavaScript verifier is JSLint, found at wwwjslintcom Always use a JavaScript verifier such as JSLint before compressing JavaScript as it will help prevent errors caused by compressing and obfuscating noncompliant JavaScript Other tools go one step further by offering obfuscation services Obfuscation is the process of scanning through source code and changing field and function names from their original names to coded, nonsensical names in an effort to prevent others from learning the intent and inner workings of the source code Obfuscation is typically not needed for languages like C++ that are compiled to machine-level binary instructions.

Simple cases first, though let s look at Effect.Morph, the most generic (and most versatile) of all effects. It works like a time-lapse version of Element#setStyle: it takes an element and some CSS rules to apply to the element, and slowly morphs the element according to the new rules (see Figure 10-4).

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